lost sonnets

Catherine Vidler’s visual poems are experiments in symmetry, images flipped, repeated, fragmented, and transformed, liberated from their mimetic source contexts and re-presented as frenetic harmonies of shape and movement. - Ken Hunt Vidler’s beautifully oblique, diagrammatic pieces remind us that poetry has always been a numbers game. Lost Sonnets is like walking through a forest of winter trees on a clear, moonless night. Up above there are no clouds, only comets and constellations. - Tom Jenks Lost Sonnets confidently places Vidler’s writing next to Shakespearean, Petrarchan and Spenserian forms; here metrics and rhyme look beyond language into a visual form ranging across the map of potentiality. Soon we will all be writing Vidlerian sonnets. - Derek Beaulieu

Catherine Vidler’s visual poems are experiments in symmetry, images flipped, repeated, fragmented, and transformed, liberated from their mimetic source contexts and re-presented as frenetic harmonies of shape and movement. - Ken Hunt Vidler’s beautifully oblique, diagrammatic pieces remind us that poetry has always been a numbers game. Lost Sonnets is like walking through a forest of winter trees on a clear, moonless night. Up above there are no clouds, only comets and constellations. - Tom Jenks Lost Sonnets confidently places Vidler’s writing next to Shakespearean, Petrarchan and Spenserian forms; here metrics and rhyme look beyond language into a visual form ranging across the map of potentiality. Soon we will all be writing Vidlerian sonnets. - Derek Beaulieu